Visual notes
“During her residency in Qaanaaq, the northernmost
town in Greenland, Anastasia Mityukova measured
the distance separating the imaginaries of the Arctic
Circle from its reality. For several years, she has been
studying, deconstructing and confronting the Western
visual culture of the North Pole with reality. Shaped
by countless documentary films, illustrated books or
photojournalistic reportages, it populated by explorers
acclaimed as heroes, a fauna that has become a generic symbol of global warming, and immaculate landscapes. It promotes fantasies of purity, adventure, exoticism and authenticity, obscuring more complicated
realities: multifaceted geopolitical interests, a colonial
history that is not always discussed as such, or a certain
ambivalence about climate change. The artist seizes on
these contradictions to bring nuance and complexity
to these representations, and to underline the extent to
which our gaze is constructed and conditioned.”
“The exhibition presents part of the photographic corpus produced by the artist in Greenland. She considers them more as an accumulation of visual notes that can be mobilised for her projects, or as an index confronting the reality of the field with media stereotypes, than as an independent work.”
“The exhibition presents part of the photographic corpus produced by the artist in Greenland. She considers them more as an accumulation of visual notes that can be mobilised for her projects, or as an index confronting the reality of the field with media stereotypes, than as an independent work.”